
Féile Átha Dá Chab,, Ballydehob Traditional Music, Song and Dance Festival is delighted to have Catherine McEvoy, one of the finest contemporary exponents of the Sligo-Roscommon style of flute playing, on the bill for April 2010. Catherine is quite simply a brilliant player and an experienced teacher to boot, making her a great choice for the fourth year of the festival.
Born in Birmingham to Irish parents, Catherine McEvoy is one of the finest contemporary exponents of the Sligo-Roscommon style of flute playing. Catherine's parents emigrated to England from Co. Roscommon in the 1940s. Her paternal grandfather, Mark McEvoy, was an accomplished flute player in his time, playing at local house dances and fairs for many years. He came from a large family, many of whom were also very fine musicians. Catherine's mother, Sarah, was a very good traditional ballad singer in her younger days.
This great wealth of traditional music from Roscommon was very well reflected among the musicians who played in Birmingham as Catherine was growing up, in particular in the Birmingham Céili Band, the founding members of which came from the Knockvicar area of Co. Roscommon. It was through the Birmingham Céili Band that Catherine, at a young age, was to have her first introduction to traditional Irish music. Catherine played the piano with the band before later taking up the flute. Though she had no formal training, she soon began to master the instrument and built up a large repertoire of tunes. The other flute player with the Birmingham band at that time was Frank Carty from Ballaghadereen. Catherine also played in duets with her brother John, and later teamed up with Brendan Mulvihill, a fiddle player from the Bronx, New York, who was living in Birmingham at the time.
It was in the early 1970s that Catherine met another person who had a lasting influence on her music. That was the great flute player, composer, and singer from Ballyfarnon, Josie McDermott. He was accompanied on his many visits to Birmingham by another famous flute player, Peg McGrath, the first woman Catherine had ever seen playing the flute.
Catherine spent many holidays in Ireland around the Knockvicar/Boyle area of Roscommon and spent many a night playing in Dominic Cosgrove's in Boyle with Patsy Hanly, the flute player from Kilroosky.
Catherine continued to play regularly with the Birmingham Céilí Band and all around England and Ireland at Fleadhanna, Céilis, Fleadh Cheoil and Oireachtas competitions until she eventually moved to to Ireland in 1977. As a going away present, Kathleen Lawrie of the Birmingham Céilí Band gave her a Rudall and Rose flute, which she still plays to the present day. This flute is a rare Rudall and Rose from the early 19th century which has no tuning slide.
Around the same time, Catherine frequently visited "The Four Seasons" pub in Capel Street, Dublin, where John Kelly senior played regularly. Sessions there also included accordion player, Paddy O'Brien, and James Kelly, Daithí Sproule, and John Kelly Jr.
From 1984-1988 Catherine was a member of "Macalla," the first all female traditional group.
In more recent years she has been one of the senior flute tutors at the Willie Clancy Summer School in Milltown Malbay, Co. Clare.
Catherine will give a flute workshop for intermediate to advanced students at Féile Átha Dá Chab 2010 on the morning of April 17, 2010, and also perform at the festival concert in the hall later on that night. Mighty stuff and all in keeping with the fine music and sport that will be had at the fourth Féile Átha Dá Chab. Bígí Linn!







